Sweet Charity tells the story of a 1960's dance hall hostess seeking true love and looking for more out of life.  As the A2 on the production, I worked closely with the Tony Award-winning sound designer Leon Rothenberg and associate sound designer Danny Erdberg to implement and maintain the sound design.  My responsibilities included shop prep, load-in, building the RF receiver rack and RF Land, creating mic rigs, and working with actors and other departments to maintain consistent mic placement for each performance.  

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Because of the close proximity of the audience in the 199-seat 3/4-thrust Linney Theatre at the Pershing Square Signature Center, the designer wanted the microphones to be as hidden on the cast as possible.  I worked closely with the Hair & Wigs Supervisor Emily Rosko and Wardrobe Supervisor Kristi Biglin to coordinate transmitter location and mic dressing.  

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During the load-in and tech process, I worked with the production manager to acquire the necessary perishable items for mic storage and dressing beyond the items purchased through the audio shop.